Alicia Keys

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Alicia keys

Alicia Keys The Road to Fame

Things looked bright for Keys when she landed a demo deal with Columbia Records. Working under Columbia Records, Keys made an appearance on the Men in Black soundtrack in 1997 with the single “Dah Dee Dah (Sexy Thing).” At Columbia, creative differences with label executives left Alicia feeling frustrated and overwhelmed. As a result, Keys ended up leaving the company with the aid of Clive Davis who, at the time, was the front man for Arista Records. Davis had bought Keys out of her contract with Columbia. Creative differences with label execs would continue to follow Keys at Arista Records. The Arista heads wanted Keys to follow in the footsteps of fellow Arista label mates Whitney Houston and Mariah Carey while Keys desired to be her own self. Fortunately, for Keys she would get her way after jumping ship to Clive Davis’ very own label J Records. Davis started J Records after leaving Arista Records over a disagreement with his former employer. With Keys in the driver seat and with complete creative control over her own music at J Records, Alicia would release two singles – 2000’s “Rock Wit U” on the Shaft soundtrack and “Rear View Mirror” on the Dr Dolittle 2 soundtrack in 2001 – before catapulting herself into the spotlight.

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